PRINTMAKING BLOG

DAMON ROBERTS PRINTMAKING ARCHIVE # ONE

By Damon Roberts

DAMON ROBERTS PRINTMAKING ARCHIVE # ONE

Damon Roberts - x- Glass Siren Studio. Stamping and signing another print edition..

Glass Siren Studio - The Silkscreen Printing Press i built to help me make the prints.

Production shot from the Smoke Spheres Metalic (Duo-Tone) Silkscreen Edition. The ink is dragged over the screen and the pressue forces the ink through the mesh in order to create the individuals layers of the prints.

Teal version of the Smoke Spheres Metalic (Duo-Tone) Silkscreen Prints.

Spent screen ready for clean up from the Smoke Spheres series.

Framed examples of the Test Tones and Smoke Spheres prints.

framed abstract art prints featuring sound waves in a recording studio

The Metalic Duo-Tone silkscreen print process i've been experimenting with can produce a high definition photographic quality images that have a semi reflective finish which looks incredible under direct lighting conditions.

Gold metalic base layer print with a tighter foreground highlights overprinted in cream acrylics combine to create a print outcome that really jumps of the sheet.

The following series of photographs aims to give a little insight into how i use the CMYK print process to create some of my full colour abstract work.

The process begins by producing four separate films and screens in order to be able print the separate cyan, magenta, yellow and black inks.

Here you can see the first cyan layer of this abstract edition which has been printed on a cream acrylic ink background flood with a white underbase.

Once the magenta layer is overprinted on the cyan base the image begins to develop and the solid areas of composition begin to take on a more lustrous glossy look.

Once the process yellow layer is blended with the cyan and magenta inks the raw background colours of the final edition begin to appear. 

The black layer is then overprinted which increases the contrast of the print and the colour depth.

A selection of solid spot colours are then hand applied to selected areas of the print. This really boosts all the overall definition of the final image and gives the prints a real three dimentional textural feel with heavy ink application.

The following pieces are large format 30x 30 inch linear abstracts with ultra fine detail that i created using a spinning print platten that i made for the printing press. 

Harmonograph patterns often feature on bank notes as a security measure as they are difficult to reproduce. I used these patterns as the basis for these productions.

Two variations in this series were produced. Positive and negtive versions.  Both used dilute metalics inks to create a print that looked like to was created with graphite pencil.

These were quite a  nerve wracking production to work on due to the levels of detail and complexity of the print process involved!

Both positive and negative versions are now sold out.

Decayed spot colour silkscreen variant. Acrylic and acid erosion process.

Films from the Flow 23 print edition on the studio's light box. The films are used create high definition stencils that ink can be pushed through in order to make the prints.

The finished Flow 23 abstract prints feature a combination of metal compound inks and traditional acrylics. The Duo-Tone process.

One of the component screens used to create the Flow 23 edition.

A sample of the finished prints housed in a cream 3d bevel mount before framing for a clean modern gallery style finish. If you require framing advice feel free to contact me via the following link - >  Contact Studio

A selection of films from the Orbs CMYK series of prints.

Limited Edition Blue version of the Orbs CMYK process print in white bevel mount.

Various component films from the spot colour Altered States edition.

↓ The first four base colour layers added.

One of the ink'd up foreground screens from this release.

The finished Altered States linear abstract edition featured ten layers of hand appplied inks.

Prints  For Sale

A Selection of Pop Art pieces that i've produce over the years. I tend to create this kind of work  every now and again to give my brain a break from the all abstract themed work. Transmissions - Silkscreen production with hand appllied watercolour background. Every one of these from this mini edition were completely unique.

Transmissions Master Edition - Gold version with stereo offset flouro underprint. Halftone Resistance - Yellow and Red version.

Billionaires Live Matter. Gold Version.  To check availability please >  Contact Studio.

H.O.U.S.E. - Limited Edition Silkscreen Print. Sold Out.

This Is Acid. 30 x 30 inch. Heavy textural acrylics on canvas. Sold Out.

Production shot from the This is Acid series.

This is Acid... Silkscreen Print Edition on paper. Sold Out.

T.H.E.  G.R.E.A.T.  R.E.S.E.T.  Heavy duty black ink with juxtaposed flouro orange +  yellow underprint for maximum impact. Check availability please >  Contact Studio.

This edition was run through the printing press time and time again when the black layer was being applied in to create a seriously heaavy duty embossed effect. These are very tactile prints.

Roots Reggae Sound System themed work. Unique one off - large format freehand silkscreen print techniques on acrylic coated canvas.

During production some layers were rag rollered and sandpapered to create a more distressed outcome. This is part of an extensive body of Reggae Sound System themed work that i've over the years. More examples available to view in my other archive posts.

Offset juxtaposed halftones were utilised in this piece. Think sound vibrations!

Back in abstract mode. Detail from the Synchronicity Silkscreen series. Multi-layer sound themed abstracts. 

A version of my Synchronicity pieces - Title : Jah Synchro. Featured on the cover of Tape Op magazine.

One of my Dilations canvases also made it onto another issues cover.

Album cover artwork project. Produced for Dreadzones Ninth Studio Album. Compact Disc and Vinyl Release.

Some of the preliminary image work that i produced for the album cover ideas phase.

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DAMON ROBERTS PRINTMAKING ARCHIVE # THREE

By Damon Roberts

DAMON ROBERTS PRINTMAKING ARCHIVE # THREE

Film positives from the Matrix edition.

One unique film and screen has to be created for each colour printed.

Matrix Edition. Two versions. 1. Natural kraft paper with with metalics.  2. Solid acrylic spot colours on a black flooded aperture.

Framed example of the Kraft Matrix edition.

Films from th A.M.X duotone print release.

Film positives from the metalic test tones print series.

(Made with Metal Series). Making prints with ground metal was an idea that i wanted to explore. Lots of trial and error involved!

Printing the linear image using adhesive ithat the metal can adhere to is the first stage of the process.

The metal can be fixed permanently using a combination of vacuum pressure and a resin spray sealant. 

Once set the ground metal is fixed solidy to the prints surface. The end result was sharpe linear image that had the textural quality of course sandpaper with a metalic underbase showing through that was light reflective.

Deep browns, ambers and reds tones were possible to create by encouraging oxidization of the metal before printing. 

This example was hand printed on a thick bed of textured oxidised metal with extremely viscous ink.

More Reggae themed work. Title - Dub It!. Rough and ready typographic silkscreen print. To check availabilty - > Contact Studio

 

Some of the individual films that were used to create the Dub It! release.

Reggae sound system themed wall art screenprint Juxtaposed halftone elements on solid spot colour typography.

SubDub is the longest running Reggae Sound System event in the U.K. I've  produced all the flyer art over it's 26 year history. This is a silkscreen edition i created based on selected visual elements from the flyers. Check availability > Contact Studio

Title : Tubby's Reprise.  Freehand silkscreen edition. This edition has sold out.

Rough and ready reggae themed production from my archive.

More SubDub flyer artwork from my archive.

Base layer proofs of the Cromalith Abstract print edition before all the tones and spot colours were added.

Finished Cromalith Print Edition [Cerise Version]

The final versions have incredible colour depth which contrasts nicely with the foreground flashes of metalic gold ink

Ultra fine halftones blend to create all the subtle gradients and textures in these productions.

Four different colour versions of the Cromalith abstract edtions were created. These unique colour variants where achieved by varying the ink percentages of the cmyk ink mixes which made up the base layers of the prints.

Red Haze Version with metalic gold spot colour elements.

Construct A - Brutalist themed Architectural Abstraction Prints. Ltd Edition Orange Version.

Construt A - Yellow Version - CMYK process with Solid Spot Colours. Both Versions Sold Out.

Another unique artist proof. These tend to emerge as a biproduct of the print process where i feed proofs from other releases through the press in order to test ink coverage and colour levels.

(LeftBank) Linear Abstract. Solid spot colour print process.

abstract linear geometric wall art hand made by the artist Unique artist proof from the 'Rachmads Tones' series in pastels and flourescent inks.

'Burning Bass Bins' composition. Several speaker cones which were doused in lighter fluid before they were set of fire and photographed for this composition.

More Reggae Sound System themed productions for SubDub.

↓ SubDub flyer art.

Album cover artwork i produced for Ernest Ranglin's - Ska Wey Dat on the mighty Trojan Rocords label.

↓ Tribal Silkscreen composition with reel to reel and sine wave detail.

Working out the opacity percentages of Metal Inks for the Aux Medusa Linear Abstract Edition.

Aux Medusa - Linear Abstract. Made with subtle tones of Silvers and gold metalics.

Psychedelic Brutalism - Full colour CMYK process with spot colours. Heavy ink application on these. To check availabilty - > Contact Studio

Detail from the Psychedelic Brutalism Edition.

One of the component screens from the Hexamine Heights architectural abstraction prints.

The first four metalic ink base layers

This is most complicated production i've created so far. 30 layers of hand applied inks went into this one. The seed of the idea for this was inspired by the Lloyds building in London where the mechanics of the building are visible on the outside and not hidden away.

One of the films that was used to create the metalic base layer of the edition.

Isolated component layer of the print which was hand applied in glossy red ink.

Close up shot of all the intricate detail. The final edition used metalics, spot colours, gloss varnish. opacity reduced acrylics and flourescents. A once in a lifetime production in terms of complexity that took roughtly two months to create.

 

Another batch of prints ready to go out to their new homes....

Last but not least and he deserves a special mention here. Horace - who lives under the printing press. 

Damon Roberts Print Archive # 1

Damon Roberts Print Archive # 2

Damon Roberts Print Archive # 3


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DAMON ROBERTS PRINTMAKING ARCHIVE # TWO

By Damon Roberts

DAMON ROBERTS PRINTMAKING ARCHIVE # TWO

The studio's Ultra Violet light box. This is used to burn the artwork onto the screens i use for printmaking. The U.V. light fixes the photosensitive emulsion to the screens mesh. Once washed off it creates a high definition photo quality stencil..

All the remaining wall space in the studio now racked up to accommodate all the inks, binders and chemicals that i need for printmaking. After almost two decades of printmaking it feels like i'm finally getting organised in here!.

The printing press i engineered that i use to create all my silkscreen work.

The business end of the printing press.

How the studio tends to look after a printmaking mission.

The used up inky screens before they undergo the clean up process.

Title - Reso-Tones. Metalic (Duo-Tone) Silkscreen Edition.

The metal compound ink that i favour when producing Duo-Tone process prints.

Ultra fine detail from the Driftworks Silkscreen Edition.

The finest nylon mesh screens i use tend to rip open if not handled with care!

Driftworks Edition. (Metalic Duo-tone) process.

abstract art print - brown - gold

Screen from the Test Tones Silkscreen Edition.

A batch of Test Tones prints on the drying rack.

Rubber Stamp Officialdom

Another one bites the dust..... From the Dilations series.

Dilations Special Edition.

Copper ink on juxtaposed linear underprint.

Smoke Spheres Screens ready for cleaning up.

One of aproximately 30 unique screens that were created in order to print the full colour 'Rachmads Tones' edition.

The final 'Rachmads Tones' edition. Heavy Bauhaus influence on these!

Gallery Of Abstract Prints Available to Buy Now

Zig Zag - Architectural theme abstract. Mid stage print production spec proof denoting all the areas of the print where the solid spot colours and gloss varnish need to be added.

Zig Zag - One of the used up component screens from this edition.

The finished versions featured a combination of CMYK process printing, flourescent spot colours and gloss varnish.

One of many unique pieces that have emerged from my printmaking experiments over the years. Day glow and metalics all the way! A remix of the spore edition combined with elements from the Mandala series.

Full colour CMYK details from the original Mandala series.

A limited edition version of the Mandala release featuring metalics and CMYK process printing.

geometric theme abstract art print - black - blue - pink - silver Some more commission work from Dreadzone who i have produced a number of album covers for over the last few years.

  Diluted red, gold and green metalic inks were mixed and forced to blend on the screen for the over prints on this edition. 

Red, gold and green metalic ink silkscreen version of the Dread Times album cover. A few left on the shelves! - To order -> Contact Studio.

Dreadtimes Album cover artwork. Compact disc version.

My Radius Sillkscreen edition featured on the cover of the Dreadzone - Rare mixes allbum cover.

Weighing out the inks to get the the correct ink opacity levels for the highlights on the Radius edition..

The final version of the Radius edtion consists of ten layers of hand applied inks.

The Morning Factory. Geometric Bauhaus inspired geometric abstraction.

This edition features solid slabs of overprinted inks. The finished prints have a highly textural finish due to the super heavy ink density.

Each print in this edition was was mechanically numbered. 

Detra Blax Abstract Composition.

Ultra World Abstract Print Edition.

Ultraworld is part of a forthcoming series of high quality photographic quality digital edtions featuring experimental abstract work from my archive. 

Drop me a line via the following contact link if you would to order one of these free prints. All i ask is you cover the small postage fee -  > Contact Studio

Orbs - CMYK Process print housed in Habitat Aluminus Frame.

The Orbs prints were one of my first experiments using the full colour CMYK print process. The process is capable of creating an effect similar to old super8 video stills.

A recent studio acquisition. A custom embosser for prints.

Melting wax for the Glass Siren Studio Thankyou cards.

Another batch complete....

The base layers of the 'As Above - So Below' Abstract Print Edition on the drying rack.

The final production after having all the individual layers of spot colours applied.

All prints are dispatched from my studio in strong cardboard mailer tubes to ensure safe transit. I'm currently selling only in the United Kingdom, The United States of America and Australia at the moment. I'm no longer selling to Europe for the time being due to the new GPSR restrictions. Hopefully this will change soon when the powers that be get their act together!

↓. This first printing press i built which was used to create many of my early print releases.

↓. Geokraft print edition on the printing press.

Dark room conditions only!..... The photo-sensitive emulsion i use to create the stencils for my printmaking projects.

Damon Roberts Print Archive # 1

Damon Roberts Print Archive # 2

Damon Roberts Print Archive # 3

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